About
The Free Art Bureau is a non-profit foundation active in and promoting new practices in open culture. Through a variety of activities and production practices, we are essentially concerned with technology, research, teaching & disseminating open practices, helping to empower
About
The Free Art Bureau is a non-profit foundation active in and promoting new practices in open culture. Through a variety of activities and production practices, we are essentially concerned with technology, research, teaching & disseminating open practices, helping to empower
Hyper-Redundancy, Noise & The ‘New’ Obsolete.
“In the beginning there was information. The word came later.”
Hyper-Redundancy, Noise & The ‘New’ Obsolete.
“In the beginning there was information. The word came later.”
Processing Paris 2013 Workshops
PROCESSING PARIS 2013
3 JOURS : 3 WORKSHOPS
Processing Paris 2013 Workshops
PROCESSING PARIS 2013
3 JOURS : 3 WORKSHOPS
Processing Paris Sessions #06
FRANCK ERNEWEIN
TWEET PING & JS
MARDI 02 AVRIl 2013 à 19h30 – 22h
AU BATOFAR
Processing Paris Sessions #06
FRANCK ERNEWEIN
TWEET PING & JS
MARDI 02 AVRIl 2013 à 19h30 – 22h
AU BATOFAR
Recode: Feu d’Artifice 1978
READ ABOUT OUR RECODE SESSION WITH BERNARD DEMIAUX
Recode: Feu d’Artifice 1978
READ ABOUT OUR RECODE SESSION WITH BERNARD DEMIAUX
Lecture Frieder Nake
ON ALGORITHMICS & AESTHETICS
REGARDING THE BEGINNING OF COMPUTER ART
Lecture Frieder Nake
ON ALGORITHMICS & AESTHETICS
REGARDING THE BEGINNING OF COMPUTER ART
Workshop Recode Frieder Nake
27/28 March Bordeaux, France
Nous avons le plaisir de vous proposer deux workshops exceptionnels avec Frieder Nake. ////////////////
Two unique workshops organised with the participation of pioneering artist Frieder Nake.
Workshop Recode Frieder Nake
27/28 March Bordeaux, France
Nous avons le plaisir de vous proposer deux workshops exceptionnels avec Frieder Nake. ////////////////
Two unique workshops organised with the participation of pioneering artist Frieder Nake.
Processing Paris Sessions #05
BERNARD DEMIAUX
RECODE PROJECT
MARDI 05 MARS 2013 à 19h30 – 22h
Processing Paris Sessions #05
BERNARD DEMIAUX
RECODE PROJECT
MARDI 05 MARS 2013 à 19h30 – 22h
Art Design Code
ART DESIGN CODE
MARK WEBSTER
DATE : 27 / 03 / 2013
LIEU : ECOLE MARYSE ELOY
Art Design Code
ART DESIGN CODE
MARK WEBSTER
DATE : 27 / 03 / 2013
LIEU : ECOLE MARYSE ELOY
Recode Project
Matthew Epler and the Recode Project
Processing Paris Sessions #04
SESSIONS_04
NICOLAS BARRADEAU
DIVISER PAR ZÉRO, LA MÉTHODE SIMPLE
Processing Paris Sessions #04
SESSIONS_04
NICOLAS BARRADEAU
DIVISER PAR ZÉRO, LA MÉTHODE SIMPLE
Persistence of Visions
Persistence of Visions was an unique two-day workshop proposed for the Festival of Graphic Design Breda 2012.
Persistence of Visions
Persistence of Visions was an unique two-day workshop proposed for the Festival of Graphic Design Breda 2012.
Geomerative Tutorial. Part 1.
An introduction to the Processing library, Geomerative developed by Ricard Marxer.
Geomerative Tutorial. Part 1.
An introduction to the Processing library, Geomerative developed by Ricard Marxer.
Processing & Open Data
A dataviz tutorial visualising Barclays Cycle Hire service in London
Processing & Open Data
A dataviz tutorial visualising Barclays Cycle Hire service in London
Typographie Générative
Generative typography workshop up in the hills of the French Provence.
Typographie Générative
Generative typography workshop up in the hills of the French Provence.
Algorithmes Sérigraphiques
FAB in collaboration with La Fabrique Pola and studio 2Roqs organised a week long workshop mixing creative coding and silkscreen printing
Algorithmes Sérigraphiques
FAB in collaboration with La Fabrique Pola and studio 2Roqs organised a week long workshop mixing creative coding and silkscreen printing
Futile Utile : Lure 2010
Lure is not a festival, it is not a hang out for culture groupies, it is not for praising the creative Gods and Goddesses of the contemporary or golden age.
Futile Utile : Lure 2010
Lure is not a festival, it is not a hang out for culture groupies, it is not for praising the creative Gods and Goddesses of the contemporary or golden age.
Processing for Kids : Part 5
After eight weeks of work, Elonzo’s game was completed and he presented it this week at Discovery Night.
Processing for Kids : Part 5
After eight weeks of work, Elonzo’s game was completed and he presented it this week at Discovery Night.
Processing for Kids : Part 4
Things with Elonzo have suddenly gotten a lot more interesting.
Processing for Kids : Part 4
Things with Elonzo have suddenly gotten a lot more interesting.
Processing for Kids : Part 3
I spend most days surrounded by computer scientists, technologist and digital artists, so it’s easy to assume that there’s a common set of skills that everyone has. Obviously, this is not the case everywhere,
Processing for Kids : Part 3
I spend most days surrounded by computer scientists, technologist and digital artists, so it’s easy to assume that there’s a common set of skills that everyone has. Obviously, this is not the case everywhere,
Processing for Kids : Part 2
Part Two: Working with Sound. We started this week’s session with Elonzo by discussing how to create original assets.
Processing for Kids : Part 2
Part Two: Working with Sound. We started this week’s session with Elonzo by discussing how to create original assets.
Processing for Kids : Part 1
A few months ago, I walked into an office in the lab where I work and was asked by a co-worker if I’d be willing to mentor a kid
Processing for Kids : Part 1
A few months ago, I walked into an office in the lab where I work and was asked by a co-worker if I’d be willing to mentor a kid
Code Impressions
There is always a certain dynamic to be found when leading a workshop and invariably it comes nearer the end rather than at the beginning.
Code Impressions
There is always a certain dynamic to be found when leading a workshop and invariably it comes nearer the end rather than at the beginning.
École d’Art d’Aix-en-Provence
Many art schools can be grand and imposing by their very architecture, some however can evoke grandeur through its vision and practice.
École d’Art d’Aix-en-Provence
Many art schools can be grand and imposing by their very architecture, some however can evoke grandeur through its vision and practice.